Introduction, afterword and footnotes by Cyril Béghin. Translation by Nicholas Elliott. Three dialogues between Marguerite Duras and Jean-Luc Godard from 1979, 1980 and 1987. “The two demonstrate a profound shared passion, a way of literally being one with a medium and speaking about it with a dazzling lyricism interspersed with dryly ironic remarks, fueled by a conviction that...(展开全部)

历史学家，记者，法国文化机构的主席。 此书荣获1998年法国费米娜散文大奖。

Siegfried Kracauer, Walter Benjamin, and Theodor W. Adorno—affiliated through friendship, professional ties, and argument—developed an astute philosophical critique of modernity in which technological media played a key role. This book explores in depth their reflections on cinema and photography from the Weimar period up to the 1960s. Miriam Bratu Hansen brings to life an impr...(展开全部)

马克·费罗：法国年鉴学派史学家，第一次世界大战史、俄国史专家，将电影作为文献和媒介进行历史研究的先锋。著作甚丰，除本书外，其他主要著作有：《法国史》（2001）、《历史的禁忌》（2002）、《伊斯兰教的冲击》《电影，对历史的一种解读》（2003）等。

Routledge Critical Introductions to Urbanism and the City

马克·费罗：法国年鉴学派史学家，第一次世界大战史、俄国史专家，将电影作为文献和媒介进行历史研究的先锋。著作甚丰，除本书外，其他主要著作有：《法国史》（2001）、《历史的禁忌》（2002）、《伊斯兰教的冲击》《电影，对历史的一种解读》（2003）等。

Routledge Critical Introductions to Urbanism and the City

Description In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of th...(展开全部)